May 2015

Australian Rock: The Early Eighties

As the ’80s began, the Australian pub rock boom was in overdrive. The new ‘door deal’ system had increased band receipts enormously and had given the top touring bands a measure of financial independence. Many of them took the next logical step—a trip overseas to test the water. Mi-Sex, Midnight Oil and The Angels undertook largely self-financed exploratory trips to the US in 1980. On the recording front, an impressive

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Australian Rock: The Late Seventies

The rise and rise of Skyhooks in 1975 sounded the death knell for the loud progressive blues-style bands that had so dominated Australian rock in the early seventies. The contrast between the two could hardly have been more striking. In place of denim and long hair, Skyhooks wore colourful and zany stage clothes. Instead of standing in the one spot while the guitarist did a twenty minute improvised solo, Skyhooks

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Australian Rock: The Early Seventies

As the sixties drifted into the seventies, the split in the Australian music scene between ‘underground’ and ‘chart’ acts became even more pronounced. Go-Set, still the leading music publication of the day, acknowledged this fact by introducing an ‘underground’ supplement titled Core that featured long, analytical pieces about the ‘significance’ of major artists and styles. The Go-Set Awards of January 1970 saw Doug Parkinson In Focus the most popular group, Johnny

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Australian Rock: The Late Sixties

From the peak of Friday On My Mind’s world-wide success for the Easybeats in late 1966 and early 1967, the story of Australian rock’s attempts to capture a world audience in the rest of the decade is rather a sad and sorry one. Group after group rose to prominence in Australia and entered the annual Hoadley’s Battle of the Sounds. Those that didn’t win either broke up or rethought their

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David Day

Following the news of the passing of Adelaide radio legend David Day overnight, Stuart Coupe contacted me this morning and asked if I would post the interview he did with David for Roadrunner, published in the June 1978 issue. At the time, David was music director at 5KA Adelaide, generally considered the most progressive radio station in the country for most of the 1970s, with a reputation for breaking new acts

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