January 2015

1946 Army kilt
1946 Army buddy
1948 Kinloch Youth Club
1949 Kinloch football two teams
1949 Kinloch rock
1952 Dinner
1952 Mum & Dad
1952 Wedding
1952 Bridal party
1954 Kinloch Lochaber Cres
1954 Kinloch with Donald
1963 Skegness
1965 Skegness
1966 Fairsea
1971 Family
1976 Carol Chris engagement
1978 long beer
1984 Mum & Dad
1985 One Steel
1986 Edinburgh
1986 Ben Nevis
1986 Albie
1987 Eucalypt St
1988 Dad
1989 Mum & Dad
1990 Donald Di wedding
1991 Dad playing
1992 Referee Swandel Park
1999 Mum Dad Donald Calum
2002 50th anniversary
2004 Bondi
2008 Tooby wedding
2008 Tooby reception
2009 Christmas
2012 Family

Ian Robertson (1926-2015)

A selection of images from the slide show put together by my sister Carol and her daughter Zoe Tooby and played at my father’s funeral in Whyalla, South Australia on 20 January 2015. Thanks for everything dad and as they say in the Highlands: Gus am bris an là agus an teich na sgàilean (until day breaks and the shadows retreat).

Eulogy for my father

The eulogy delivered at my father’s funeral on 20th January 2015, in Whyalla, South Australia. Family and friends—thank you all for coming today, especially those who have travelled from outside Whyalla. We are here to pay our respects and honour and remember the life of my father, Ian Robertson, born 20 August 1926, Kinlochleven, Scotland, died 11 January 2015, Whyalla. To paraphrase the words of the poet, Dylan Thomas, my

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Capricorn Dancing: JJJ’s 10th birthday

Goodness me—can it really be JJJ’s 40th birthday this coming weekend? And even more incredibly—is it really 30 years since its legendary 10th birthday concert on Sydney Harbour featuring the mighty Midnight Oil? I was there for Countdown Magazine and this was my report in the March 1985 edition. When Jay Jay Jay-FM turned ten on the nineteenth of January it was most appropriate that the focus of the celebrations

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Jim Keays: master craftsman

I interviewed Australian rock legend Jim Keays for the ’60s retro issue of Roadrunner (September 1978). Although in a fallow period between his space-opera concept album The Boy from the Stars and 1983’s Red on the Meter, at the time Keays was a dynamic performer and as always, had some interesting observations on the then Australian music scene. He continued to entertain audiences, most notably with fellow ’60s icons Russell

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