The soundtrack to the book of the magazine. One song from each issue of Roadrunner magazine, as featured in the book, The Big Beat: Rock music in Australia 1978-1983, through the pages of Roadrunner magazine (Roadrunnertwice, 2019).
The Big Beat is on track to sell out. If you haven’t got a copy yet, there are still a few in store at these shops. Once these are gone, the only way you’ll be able to have a look at one will be at your local library. The following libraries have a copy. Australian Capital Territory: National Library of Australia; National Film and Sound Archive; National Museum of Australia Research
Just over fifteen months since kicking off this exercise in self-publishing, and after a steep learning curve but a lot of fun along the way, it feels like I’m entering the home straight. From the print run of 525, four hundred and sixty-five copies of The Big Beat have been sold and (10 November update) there are just 8 out on consignment. Some outlets have bought stock outright and may also
The third of the Q&A and book signings to celebrate the release of The Big Beat took place in the heart of the city at Title Barangaroo in Sydney on 21 November 2019. Over a hundred movers and groovers gathered to hear moderator Mark Dodshon skilfully guide the panel of Buzz Bidstrup (ex-Angels and GANGgajang), Peter Oxley (Sunnyboys, Shy Impostors and The Aints) and author Donald Robertson through their memories
By Nathan Davies SA Weekend magazine, The Advertiser (Adelaide), 4 October 2019 To flick through the pages of The Big Beat – a bound collection of rock magazine Roadrunner – is to be transported to an Adelaide that no longer exists. An Adelaide of smoke-filled, sticky-floored band rooms still a decade or two from being transformed into soulless pokie dens. An Adelaide of photocopied band flyers sticky taped to Stobie
There was a lot of love in the room for Roadrunner magazine and its anthology The Big Beat at Readings book store in St Kilda last night. A crowd of around fifty gathered to hear Pierre Sutcliffe (ex-Models) lead Phill Calvert (ex-Boys Next Door/The Birthday Party), John Dowler (Young Modern) and myself discuss the Australian post-punk scene and the role that Roadrunner played in it. Among the former contributors in
The reviews are coming in. And people seem to like the book. Print reviews ‘Roadrunner was the Chrysler of the Big 3 R rock magazines in Australia at the turn into the 1980s, trailing the GM and Ford of RAM and Rolling Stone, and like the Hemi-powered Plymouths and Dodges, it was wild and untamed, and it’s a blessing that there’s now a permanent record of it, all 500 pages of it and bound
Around eighty people gathered at The Howling Owl in Adelaide’s East End last night to celebrate the release of the Roadrunner magazine anthology, The Big Beat. Deftly marshalled by ABC Radio Adelaide producer Suzy Ramone, a panel of Dr Collette Snowden, singer and songwriter John Schumann and myself was invited to ruminate and reminisce about the South Australian music scene and the impact of Roadrunner in the post-punk period of
In October 2019, I published The Big Beat: Rock music in Australia 1978-1983, through the pages of Roadrunner magazine. The hardcover book is a 544 page anthology of articles from the magazine, together with a year-by-year history and full index. Featured artists include: The Angels, Australian Crawl, Boys Next Door (and the Birthday Party), The Church, Cold Chisel, The Dagoes, Flowers (and Icehouse), The Go-Betweens, The High Rise Bombers, The
When Martin Sharp, the internationally acclaimed Australian artist, died in 2013, I read that the University of Wollongong had created a digital archive of the Sydney and London Oz magazines that he was such a part of. I remember having a look and being impressed—not only that someone had put in the time and effort to do it, but that it was freely available to all. Then when Sharp’s friend
As the 1970s wound to a close, the local music scene in Adelaide was struggling, although there were some new shoots starting to appear. It seemed everyone involved was either trying to get out, or just killing time, waiting for something GREAT to happen. And it did. The advent of the Progressive Music Broadcasting Associations’s community radio station 5MMM-FM in 1980 gave Adelaide music an absolute turbo-charge and helped to