Tag Roadrunner

The Bard of Salford

“I lean towards the nineteenth century poets,” says John Cooper Clarke, who also happens to dress like them. “Percy Shelley, all them. I want an all-female audience, y’know.” What, Shelley used to read live? “Oh yeah, yeah, he used to do gigs. When he wasn’t ‘anging around graveyards, or trying to drown himself.” On stage, John Cooper Clarke is a mass of hair and suit and shades with a million

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The Big Beat—ask a librarian

The Big Beat is on track to sell out. If you haven’t got a copy yet, there are still a few in store at these shops. Once these are gone, the only way you’ll be able to have a look at one will be at your local library. The following libraries have a copy. Australian Capital Territory: National Library of Australia; National Film and Sound Archive; National Museum of Australia Research

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The Big Beat: going, going …

Just over fifteen months since kicking off this exercise in self-publishing, and after a steep learning curve but a lot of fun along the way, it feels like I’m entering the home straight. From the print run of 525, almost four hundred and fifty copies of The Big Beat have been sold and (2 August update) there are fewer than thirty out on consignment. Some outlets have bought stock outright and may

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Andrew ‘Greedy’ Smith: It’s just too sad

Losing Greedy Smith this year was a big shock. A shock that reverberated through the Australian music community. A shock that reminded everyone from the late 70s/early 80s glory years of Australian rock of their own mortality. If Greedy has gone, who’s next? It’s enough to send a shiver down your spine. The massive turnout at the Macquarie Park crematorium on 9 December to celebrate Greedy’s life was testament to

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The Big Beat: When Sydney Rocked — 1978-1983

The third of the Q&A and book signings to celebrate the release of The Big Beat took place in the heart of the city at Title Barangaroo in Sydney on 21 November. Over a hundred movers and groovers gathered to hear moderator Mark Dodshon skilfully guide the panel of Buzz Bidstrup (ex-Angels and GANGgajang), Peter Oxley (Sunnyboys, Shy Impostors and The Aints) and author Donald Robertson through their memories and

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How Roadrunner recorded our noisy history

By Nathan Davies SA Weekend magazine, The Advertiser (Adelaide), 4 October 2019 To flick through the pages of The Big Beat – a bound collection of rock magazine Roadrunner – is to be transported to an Adelaide that no longer exists. An Adelaide of smoke-filled, sticky-floored band rooms still a decade or two from being transformed into soulless pokie dens. An Adelaide of photocopied band flyers sticky taped to Stobie

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Four dudes banging on about The Big Beat at Readings in St Kilda

There was a lot of love in the room for Roadrunner magazine and its anthology The Big Beat at Readings book store in St Kilda last night. A crowd of around fifty gathered to hear Pierre Sutcliffe (ex-Models) lead Phill Calvert (ex-Boys Next Door/The Birthday Party), John Dowler (Young Modern) and myself discuss the Australian post-punk scene and the role that Roadrunner played in it. Among the former contributors in

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The Big Beat—reviews and reactions

The reviews are coming in. And people seem to like the book. Print reviews ‘Roadrunner was the Chrysler of the Big 3 R rock magazines in Australia at the turn into the 1980s, trailing the GM and Ford of RAM and Rolling Stone, and like the Hemi-powered Plymouths and Dodges, it was wild and untamed, and it’s a blessing that there’s now a permanent record of it, all 500 pages of it and bound

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The Big Beat comes back to Adelaide

Around eighty people gathered at The Howling Owl in Adelaide’s East End last night to celebrate the release of the Roadrunner magazine anthology, The Big Beat. Deftly marshalled by ABC Radio Adelaide producer Suzy Ramone, a panel of Dr Collette Snowden, singer and songwriter John Schumann and myself was invited to ruminate and reminisce about the South Australian music scene and the impact of Roadrunner in the post-punk period of

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The Big Beat—where can you get it?

UPDATE: 1 October 2020. Just fourteen copies left in stores! In October 2019, I published The Big Beat: Rock music in Australia 1978-1983, through the pages of  Roadrunner magazine. The hardcover book is a 544 page anthology of articles from the magazine, together with a year-by-year history and full index. Featured artists include: The Angels, Australian Crawl, Boys Next Door (and the Birthday Party), The Church, Cold Chisel, The Dagoes,

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The art of the Australian single 1975-80

When I returned to Adelaide in late 1977 after two and a half years away in the U.K., I brought home with me about twenty-five singles. I proceeded to do the rounds of my rather puzzled university friends to show them and play to them these artefacts from the sonic revolution I had just experienced. Most of them smiled politely and poured another cup of tea, but one old school

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Kensington Road runs straight before turning: Adelaide in 1979

As the 1970s wound to a close, the local music scene in Adelaide was struggling, although there were some new shoots starting to appear. It seemed everyone involved was either trying to get out, or just killing time, waiting for something GREAT to happen. And it did. The advent of the Progressive Music Broadcasting Associations’s community radio station 5MMM-FM in 1980 gave Adelaide music an absolute turbo-charge and helped to

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Adelaide 1981

This was my end of year round up of music in Adelaide, published as part of Roadrunner’s 1981 All State Rock Round Up. I moved to Sydney in 1982, so in a way it was my farewell to the local music scene that I had been a part of for the previous five years. Fun times.  *  *  * The year of 1981 will not go down in the pages

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Magical Mushroom Moments

Recently I’ve been reading Stuart Coupe’s biography of Michael Gudinski. It prompted a memory of Mushroom Record’s 10th anniversary bash, on the 1982 Australia Day long weekend. Mushroom flew me over from Adelaide for the concert and quite frankly, I’d forgotten how good it was. This was my account in the February 1982 edition of Roadrunner. ∗ ∗ ∗ ∗ ∗ Well folks, it was a pretty wild weekend. The Big M/3XY/Mushroom Evolution Two

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No Fixed Address: young, black and proud

At the time of this Roadrunner cover story from August 1980, I thought No Fixed Address was the most important new band in the country. A bunch of young Aboriginal musicians at the South Australian Centre for Aboriginal Studies in Music, bouncing around Adelaide from gig to gig, they were about to start filming a movie, Wrong Side of the Road, loosely based on their lives and experiences and songs from

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