Tag Roadrunner

The Big Beat – reviews and reactions

The reviews are coming in. And people seem to like the book. ‘The Big Beat is a heavily illustrated, beautifully presented year-by-year history of Adelaide-based punk fanzine Roadrunner, which was founded by Robertson and music-press legend Stuart Coupe, and was distributed only in South Australia. The book features a selection of more than 400 fully indexed pages from the original issues; just looking at it, you can see that it’s a labour

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The Big Beat comes back to Adelaide

Around eighty people gathered at The Howling Owl in Adelaide’s East End last night to celebrate the release of the Roadrunner magazine anthology, The Big Beat. Deftly marshalled by ABC Radio Adelaide producer Suzy Ramone, a panel of Dr Collette Snowden, singer and songwriter John Schumann and myself was invited to ruminate and reminisce about the South Australian music scene and the impact of Roadrunner magazine in the post-punk period

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The Big Beat – where can you get it?

I have just published an anthology of articles from Roadrunner. ‘The Big Beat: Rock music in Australia 1978-1983, through the pages of Roadrunner magazine’ is a 544 page, A4 size (210x297mm), hardback book with colour throughout. In the book, a year-by-year history introduces a selection of over four hundred fully indexed pages from the original magazine. Featured artists include: The Angels, Australian Crawl, Boys Next Door (and the Birthday Party), The Church, Cold Chisel,

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The art of the Australian single 1975-80

When I returned to Adelaide in late 1977 after two and a half years away in the U.K., I brought home with me about twenty-five singles. I proceeded to do the rounds of my rather puzzled university friends to show them and play to them these artefacts from the sonic revolution I had just experienced. Most of them smiled politely and poured another cup of tea, but one old school

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Kensington Road runs straight before turning: Adelaide in 1979

As the 1970s wound to a close, the local music scene in Adelaide was struggling, although there were some new shoots starting to appear. It seemed everyone involved was either trying to get out, or just killing time, waiting for something GREAT to happen. And it did. The advent of the Progressive Music Broadcasting Associations’s community radio station 5MMM-FM in 1980 gave Adelaide music an absolute turbo-charge and helped to

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Adelaide 1981

This was my end of year round up of music in Adelaide, published as part of Roadrunner’s 1981 All State Rock Round Up. I moved to Sydney in 1982, so in a way it was my farewell to the local music scene that I had been a part of for the previous five years. Fun times.  *  *  * The year of 1981 will not go down in the pages

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No Fixed Address: young, black and proud

At the time of this Roadrunner cover story from August 1980, I thought No Fixed Address was the most important new band in the country. A bunch of young Aboriginal musicians at the South Australian Centre for Aboriginal Studies in Music, bouncing around Adelaide from gig to gig, they were about to start filming a movie, Wrong Side of the Road, loosely based on their lives and experiences and songs from

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Stranglers in strife: the 1979 Australian tour

Brian Johnstone, one of my oldest and dearest friends, passed away in Adelaide in January after a long battle with cancer. We met in Adelaide in the late 70s, in the early days of Roadrunner, were housemates for awhile and he wrote a few pieces for the mag, including this entertaining account of the media shenanigans surrounding the Stranglers tour which was the cover story in the March 1979 edition.

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Roadrunner once

Around three years ago, David Nichols, a former writer at Australian Smash Hits, interviewed me on the phone for a book he was doing on that magazine. He asked about the rock mags I used to read growing up, how I got into the game and my impressions of Smash Hits. He was kind enough to send me a transcript to check, but ended up only using a small part. The

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Laughing Lennie

Many years ago, I watched a documentary on Foxtel’s Arena channel called ‘Beautiful Losers’. Made in 1997, it was about Leonard Cohen, Marianne Faithfull and Willie de Ville, in which the three songwriters and performers were interviewed about their lives and careers. Willie de Ville, who I recall as a sharply dressed, late 70s, new wave one-hit wonder from New York (the hit being the latino flavoured ‘Spanish Stroll’) was moderately

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