Ever since white hillbilly music got together with black rhythm and blues to spawn that wayward child by the name of rock’n’roll, there’s always been someone, somewhere, trying to get ‘back to the roots’. Whether it’s Daddy Cool, Sha Na Na, the Stray Cats or Shakin’ Stevens, the door to the rich vault of early rock’n’roll seems to be perpetually open and inside there’s some young bucks happily plundering the
The clip for Quietly Confident’s one and only single. Republic of Australia (1983). Featuring lead vocalist Len Lindon; vocalists Larry Buttrose and Mark Conway; Russell Handley on the ( )ASIO keyboards; and backing vocals from Mandy and Melanie Salomon. Quietly Confident was the alternative cabaret act I managed in the period when I left Adelaide and moved to Sydney (1982-83). The track was recorded at Basilisk Studios in Hurstville, Sydney, Martin
“I lean towards the nineteenth century poets,” says John Cooper Clarke, who also happens to dress like them. “Percy Shelley, all them. I want an all-female audience, y’know.” What, Shelley used to read live? “Oh yeah, yeah, he used to do gigs. When he wasn’t ‘anging around graveyards, or trying to drown himself.” On stage, John Cooper Clarke is a mass of hair and suit and shades with a million
Recently I’ve been reading Stuart Coupe’s biography of Michael Gudinski. It prompted a memory of Mushroom Records’ 10th anniversary bash, on the 1982 Australia Day long weekend. Mushroom flew me over from Adelaide for the concert and quite frankly, I’d forgotten how good it was. This was my account in the February 1982 edition of Roadrunner. ∗ ∗ ∗ ∗ ∗ Well folks, it was a pretty wild weekend. The Big M/3XY/Mushroom Evolution Two
This was my end of year round up of music in Adelaide, published as part of Roadrunner’s 1981 All State Rock Round Up. I moved to Sydney in 1982, so in a way it was my farewell to the local music scene that I had been a part of for the previous five years. Fun times. * * * The year of 1981 will not go down in the pages
It was mid afternoon on Tuesday 9 December 1980 when the news hit. John Lennon’s been shot. And killed. We were working on the December 1980—January 1981 edition of Roadrunner: Geoffrey Gifford, Richard Turner, Kate Monger and myself. In Geoffrey’s studio up the east end of Rundle Street in Adelaide. We stopped what we were doing of course. And just talked. And after a couple of hours I went home and wrote
At the time of this Roadrunner cover story from August 1980, I thought No Fixed Address was the most important new band in the country. A bunch of young Aboriginal musicians at the South Australian Centre for Aboriginal Studies in Music, bouncing around Adelaide from gig to gig, they were about to start filming a movie, Wrong Side of the Road, loosely based on their lives and experiences and songs from
As the 1970s wound to a close, the local music scene in Adelaide was struggling, although there were some new shoots starting to appear. It seemed everyone involved was either trying to get out, or just killing time, waiting for something GREAT to happen. And it did. The advent of the Progressive Music Broadcasting Associations’s community radio station 5MMM-FM in 1980 gave Adelaide music an absolute turbo-charge and helped to
I first met Keith Shadwick in 1978 when he came to Adelaide on tour with the High Rise Bombers. Keith was a poet and a saxophone player and he was friends with my housemate Larry. They’d both been part of the Melbourne mid-70s performance poetry push, with people like Eric Beach, Gig Ryan and πο. Keith had an impressive musical pedigree too, having been in Renee Geyer’s first band Sun, Sydney
Brian Johnstone, one of my oldest and dearest friends, passed away in Adelaide in January 2015 after a long battle with cancer. We met in Adelaide in the late 70s, in the early days of Roadrunner, were housemates for awhile and he wrote a few pieces for the mag, including this entertaining account of the media shenanigans surrounding the Stranglers tour which was the cover story in the March 1979
My first published article. From Street Fever, the punk fanzine produced by Stuart Coupe and myself in Adelaide in December 1977. I was on a train from Darlington to Bath in 1976 when I first heard of the Sex Pistols. I had been away from England for six weeks working in Libya for a surveying company. I was on my way home after delivering some maps to head office. I
Just before I left the U.K. to return to Australia after two and a half years away, I was fortunate to catch this remarkable concert. The venue was Bath University, the date 7 October 1977 and it was the third date on the Stiffs Greatest Stiffs Live tour. This review was my second ever published article, in the Adelaide punk fanzine Street Fever (December 1977). Nick Lowe bounds on stage and
Click on cover below to read the one and only issue of this Adelaide punk fanzine, edited and published by Stuart Coupe and Donald Robertson. CONTENTS 4. Moist 5. Radio Birdman/Young Modern/Elvis Costello/Pizza review 6. Sex Pistols – live in Newport, South Wales 8. Jonathan Richman and the Modern Lovers 9. A Bunch of Stiffs live – Nick Lowe, Elvis Costello, Larry Wallis, Wreckless Eric and Ian Dury. 11. Psycho
The first interview I ever did was with Tim Finn of Split Enz, in Bath, England in October 1976. I sent the piece to Nation Review, but never heard back. Thus it is published here for the first time. ‘Split Enz are on the road becoz travel broadens the mind’ blared the full-page ad in Sounds last week. ‘Surreal Maoris’ Hair Raising Tale’ ran the headline in New Musical Express.
