Thanksgiving
On the morning of Thursday 28 November 1918, the Imperial War Cabinet met at 10 Downing Street in London. Outside the weather was wet and…
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On the morning of Thursday 28 November 1918, the Imperial War Cabinet met at 10 Downing Street in London. Outside the weather was wet and…
Continue reading...Lately, I’ve been thinking about Bruce. First, I saw the film, Deliver Me From Nowhere. Excellent. Shortly afterwards, I read Bruce, the authorised biography by…
Continue reading...Copies of 'Great John Maclean Has Come Home to the Clyde' are now available in-store at the following Australian bookshops. Sydney Abbey's, 131 York Street,…
Continue reading...A selection of published and previously unpublished works
I think the Spotify playlist below does a pretty good job of capturing the swirling crosscurrents of the Australian airwaves in 1968. From the psychedelic soul blues of ‘Voodoo Chile’ to the frothy bubble of ‘Goody Goody Gumdrops’—via country, Motown, soul, blues, sunshine pop, California harmonies, folk, British invasion groups, the ‘underground’ sound and a myriad of other styles and sub-styles—it was a year in which the musical spectrum really
Losing Greedy Smith this year was a big shock. A shock that reverberated through the Australian music community. A shock that reminded everyone from the late 70s/early 80s glory years of Australian rock of their own mortality. If Greedy has gone, who’s next? It’s enough to send a shiver down your spine. The massive turnout at the Macquarie Park crematorium on 9 December to celebrate Greedy’s life was testament to
The third of the Q&A and book signings to celebrate the release of The Big Beat took place in the heart of the city at Title Barangaroo on 21 November 2019. Over a hundred movers and groovers gathered to hear moderator Mark Dodshon skilfully guide the panel of Buzz Bidstrup (ex-Angels and GANGgajang), Peter Oxley (Sunnyboys, Shy Impostors and The Aints) and author Donald Robertson through their memories and insights
There was a lot of love in the room for Roadrunner magazine and its anthology The Big Beat at Readings book store in St Kilda last night. A crowd of around fifty gathered to hear Pierre Sutcliffe (ex-Models) lead Phill Calvert (ex-Boys Next Door/The Birthday Party), John Dowler (Young Modern) and myself discuss the Australian post-punk scene and the role that Roadrunner played in it. Among the former contributors in
Print reviews ‘Roadrunner was the Chrysler of the Big 3 R rock magazines in Australia at the turn into the 1980s, trailing the GM and Ford of RAM and Rolling Stone, and like the Hemi-powered Plymouths and Dodges, it was wild and untamed, and it’s a blessing that there’s now a permanent record of it, all 500 pages of it and bound in a beautiful hard cover.’ — Clinton Walker — 12 November 2019
By Nathan Davies SA Weekend magazine, The Advertiser (Adelaide), 4 October 2019 To flick through the pages of The Big Beat – a bound collection of rock magazine Roadrunner – is to be transported to an Adelaide that no longer exists. An Adelaide of smoke-filled, sticky-floored band rooms still a decade or two from being transformed into soulless pokie dens. An Adelaide of photocopied band flyers sticky taped to Stobie
The soundtrack to the book of the magazine. One song from each issue of Roadrunner magazine, as featured in the book, The Big Beat: Rock music in Australia 1978-1983 (Roadrunnertwice, 2019).
To view and download issues, click on thumbnails below The concerted push to increase sales and advertising revenue following the establishment of a Roadrunner Sydney office in mid-1981 was only a qualified success. While ad sales saw a marked increase and newsagency sales nudged six thousand for the first time (with the end-of-year issue), most of the extra revenue was offset by the higher production costs of going full colour
To view and download issues, click on thumbnails below Roadrunner‘s first issue of 1981 (Vol 4 No 1) signalled some changes. First, the cover price went up from 60 cents to 80 cents. We attempted to offset this by a bumper subscription offer—two free albums (Vinyl Virgins, a Virgin Records Australia sampler and Tactics’ My Houdini) plus a year’s subscription (12 issues) for $15. The offer snared 61 new subscribers,